STORYBOARD — S2 Turn the Bottle Around — Solo × Green-Screen Stitch (UGC-native composite) [KD_C0080]

The locked script is an Echo-chain deliverable and does not carry v2 Fields 19/20/21/25. Mapping used:

The anti-studio ruling (review SOFT-6, boarded not just noted). speakers_library/3_5_newly-diagnosed-peer.md lists Known incompatible: yapper Solo × Studio — "UGC peer doesn't fit studio polish." The concept's own spec words ("clean background, medium close-up, bold high-contrast overlays") could be read by production as studio polish — the one look this speaker is documented as unable to carry. Disposition: the green screen is a keying tool, not a look. She is keyed onto a warm home wall plate (her own room, shot separately or a plate photo), lit with practical/window-quality light, framed webcam-height at a slight downward-ish eye-level, with real skin and minimal makeup. High-contrast overlays stay (donor grammar, they live in the panel layer, not on her). Studio seamless, three-point beauty lighting, and any "presenter set" dressing are BANNED on this board.

Review-flag dispositions (ship order, gates delegated): copy is LOCKED — this storyboard changes zero words. ① SOFT-1 ("Take it for a month." pronoun): not a storyboard defect; boarded so the referent is visually unambiguous — the real Kindled bottle is in her hand and on screen continuously through the whole close, so "it" has a picture, not just an antecedent. ② SOFT-2 / SOFT-3 (hook lineage citations): dispositioned in the anchor list — 1018924643817868 restored as Hook B's measured video shape source, 1514909627007491 carried as Hook C's numbered-signs chassis (accurately labelled), and the static thebbco exemplar demoted to copy-layer with no visual borrow. Zero copy change. ③ SOFT-5 (Beat 6's limp hinge): mitigated storyboard-side — the panel-family switch and a hard jump cut land ON "Kindled keeps selling out," so the connective rides under a transition instead of sitting in a hold. Copy untouched. ④ SOFT-7b (hook heading said "~8s"): resolved — Hook A is boarded at its true 8.9s → 0:00–0:09; B and C at 7.6s → 0:00–0:08.

Hook-variant handling (Echo 1×3 contract): Beat 1 exists as THREE storyboard variants (1A / 1B / 1C) — interchangeable opening sections. Beats 2–8 are the shared locked-body storyboard. A and C land on the flip-the-bottle command; B lands on the back-label-math promise. All three exit on the IDENTICAL seam frame — performer-dominant state, panel cleared, real Kindled bottle already rising into her hand — so any variant cuts straight onto Beat 2's opening line ("Right here in my hand are Kindled liquid thyroid drops") with no re-introduction.

Delivery markup: [pause] ×1 (Reveal beat) and [beat] ×1 (Iron Tell) stripped from all on-screen text; carried into per-beat DIRECTION notes as tight holds. CAPS emphasis ("VERY different", "ANYTHING", "YOURSELF") is voice, never a burn. Pause note: 2 delivery tokens ≈ +1.6s (0.8s each) over word-derived runtime → delivered ≈ A 81.2s · B 79.8s · C 79.8s against the 83s band ceiling. Headroom: A 1.8s · B 3.2s · C 3.2s. All three inside the band on the delivered basis. Editors must NOT pad, must keep both holds tight (≤0.8s), and must add NO third pause — variant A owns the only tight margin, and per the no-word-shaving rule nothing is trimmed elsewhere to chase it.

Eight-beat discipline (donor budget preserved): 8/8 donor beat order, including the deliberate UMS-before-UMPb inversion (the fix is sold at beat 3, the villain is named at beat 5). No beat added, dropped or re-ordered. Heaviest beats = Offer 13.2s (18.6% word-share vs donor's 18.5% duration-share, Δ+0.1pp) and Four Jobs 11.2s — the donor's own two heaviest slots.

This account has never shipped a green-screen reaction stitch. There is no in-house precedent to copy, so the composite is specified explicitly and every beat below declares what is in the stitch panel vs. what is on the performer plate. The donor's grammar is unambiguous on one point: the composited panel is the co-star, not decoration. If the panel is passive, the format is not being executed.

The two layers

The three composite states (the editor's whole vocabulary)

Panel-content families (and the arc they trace)

The panel is not a grab-bag; it moves through four declared families, and the movement IS the argument:

1. FORENSIC-RETAIL — anonymized competing-category listing cards (bottle image + stars + price). Beats 1A, 1B.
2. STAGED-STILL — our own staged photo (a half-used dropper bottle on a nightstand). Beat 1C only.
3. FORENSIC-PANEL — supplement-facts macro crops, ours and theirs. Beats 2, 3, 4, 5 — the spine.
4. COMMERCE — our own site frames (restock banner, cart). Beat 6 only, and flagged as the board's single family switch.
5. NONE — the panel drops out entirely at beat 7 and never returns. This is the board's payoff move: the audit leaves the screen and enters her actual hands. Beats 7, 8.

Hard composite rules

• She looks at the LENS, not at the panel. Donor grammar is direct eye contact while pointing. She points with peripheral confidence, like someone gesturing at a whiteboard she already knows by heart. An eyeline that drifts to the panel kills the accusation.
• Shoot WIDE, crop in post. Frame full-torso with both hands free of the edges at all times, so post can crop to P1 / P2 / P3 without amputating the pointing hand. A cropped-off pointing arm is the format's #1 failure mode.
• The pointing arm must cross the seam. Her hand enters the panel zone. If the arm stops at the boundary, the two layers read as unrelated windows instead of one stitched space.
• Anonymity: every competitor artifact in the panel is brand-anonymized (wordmark blurred, cropped, or turned). The panel and the arithmetic are the shot, never the brand. Kindled artifacts are the only branded ones on the board.
• No invented numbers ever appear in the panel — no stock counts, no review counts, no price claims (1B's prices are blurred by script direction). product_facts.md §6: offer/channel specifics are session-provided, never invented.
• A visual pop every 2–3s (panel content change, stamp, circle, or crop push) with a pop/whoosh SFX per entry, over a subtle driving bed. No silence anywhere — donor parity.
• Only ONE physical product exists in the room: the real Kindled bottle in her real hand. Every competing object lives in the panel and is never handled.

Asset pack the panel needs (capture pass, before the shoot edit)

Anonymized 3-up listing set (hook A) · 6-tile listing grid (hook B) · staged nightstand-bottle still (hook C) · look-alike bottle cutouts, fronts (beat 2) · Kindled supplement-facts macro (beats 2, 3, 4, 7) · 2 competitor supplement-facts macros, one iodine/tyrosine-thin, one with iron on the panel (beats 2, 4, 5) · generic amber Rx pill bottle, label anonymized (beat 5) · own-site restock banner + add-to-cart + multi-bottle cart line (beat 6) · 30-day guarantee badge (beat 8).

Rotation: N/A this run — the donor is PINNED per the run order (SEED, binding; no rotation re-query executed, per the task directive). Supporting anchors are the concept's own CITED formula/exemplar rows plus the set's second measured D11 — declared choices per §2f (deliberate re-use is the operator's right; rotation never blocks a declared choice). Log append SKIPPED (echo run — handled at package). Pool note: no fresh §2b/§2c query ran. Same working resolution as the E3 and R3 findings — a SEED board inherits its anchor set from the pinned donor + the mini-brief's citations, and only re-queries when a beat type is left uncovered. Nothing is uncovered here: the donor is itself a D11 and supplies grammar for every beat. Within-session/cross-session diversity: zero overlap with the pilot-1 or Run-2 anchor sets (this is the first all-lymphoria D11 anchor set in the chain).

[Anchor A — CORNERSTONE] 1492572615705936 — lymphoria — winner_score 63.11 — video (THE DONOR, SEED — pinned CORNERSTONE) Hook pattern: H05 Remedy Firing Squad — serial triple negation over composited listings ("This is fake, this is fake, and this is definitely fake"), three public accusations inside four seconds, qualification riding on the category noun in the warning sentence; a permanent bold warning overlay from frame zero On-screen text style: bold high-contrast sans-serif burns, phrase-level verdicts stamped on the panel ("2026 SCAM" grammar), never a continuous caption track B-roll cuing: there is no B-roll — there is a PANEL. Composited retail listings, screenshots and product images pop every 2–3s beside/over the keyed creator; the pointing-at-media is load-bearing, not decorative Transition style: jump cut on nearly every sentence, zero dead air; panel content swaps carry the rhythm Mute-test asset: permanent warning overlay + pointing + the composited listings — donor report: passes "with flying colors"

Best-fit beat type in our script: ALL (SEED full-pattern borrow); primary: hook accusation grammar (1A), reveal/contrast bottle-flip (Beat 2), countable-mechanism panel teach (Beat 3), arithmetic disqualification (Beat 4), villain-after-fix (Beat 5), verification move (Beat 7), guarantee close (Beat 8)

Tooling stack inferred: 1 real performer on green screen + a composited second source + post graphics — maps 1:1 to our real-shoot target. No adaptation strain: this is the donor whose production we are literally reproducing

[Anchor B] 1018924643817868 — lymphoria — winner_score 45.66 — video (HOOK-B SHAPE source — restored per review SOFT-2) Hook pattern: the transparency-stunt open — a candor-plus-arithmetic admission that meets the buying objection head-on instead of promising ("I'm going to do something that's probably going to cost us our entire stock"): a transactional move disguised as a confession On-screen text style: offer/number-forward burns B-roll cuing: 3D animation + sourcing/lab footage — not imported

Best-fit beat type in our script: Hook 1B ONLY (the candor-open shape). FLAG: its D03 staged podcast/studio set-piece format is REJECTED wholesale — it is the most set-dependent donor in the set, and a studio apparatus is the exact look speaker 3.5 is documented as unable to carry. Borrowed at FORMULA level only, re-staged as the same green-screen composite as every other beat (VS6 cross-adaptation logged)

Tooling stack inferred: staged studio + broadcast mic — rejected; our restaging is the keyed plate + panel

[Anchor C] 1514909627007491 — lymphoria — winner_score 52.00 — video (HOOK-C CHASSIS source, accurately labelled per review SOFT-3) Hook pattern: the 5s numbered-signs open ("Three early signs… most people miss"). Review SOFT-3 verified this is third-person and routes to H07 by hook_seconds.md's own tie-break — our Hook C converts it to true H01 by going second-person ("your thyroid supplement… you're still tired"). Carried here as the chassis, not as an H01 exemplar On-screen text style: enumerated sign-list burns, item-by-item reveal — this is the transferable part B-roll cuing: costumed-authority talking head with symptom cutaways

Best-fit beat type in our script: Hook 1C ONLY (the item-by-item checklist OST grammar). FLAG: its D01 Costumed Authority format is REJECTED — a credentialed register kills this concept (the mini-brief is explicit: "the warning does the authority work, the voice shouldn't"). Borrowed at OST-ENUMERATION level only (VS6 cross-adaptation logged)

Tooling stack inferred: costumed authority talking head — rejected

[Anchor D] 2684523008388969 — thebbco — winner_score 98 — STATIC/image (COPY-LAYER ONLY — demoted per §2c + review SOFT-2's media verification) ANG_THYROID_METABOLISM_07 Radical Transparency & Objection Demolition exemplar — brutal candor that meets the objection with hard math instead of a promise. Verified "media": "image" in mined/steal/assignments.jsonl and absent from video_corpus.jsonl — it cannot evidence a video hook's visual shape.

Best-fit beat type in our script: Hook 1B copy/candor register only — NO visual borrow (its single hero frame has no per-beat shot pattern to transfer)

Tooling stack inferred: n/a (static)

[Anchor E] 4114239875533382 — lymphoria — winner_score 49.42 — video (D11 GEOMETRY reference only) The set's other D11 — strict 50/50 vertical split-screen, 9:16, speaking creator left / silent reactor right, top overlay label, product held to lens for physical intimacy. Included because it is the only second measured example of this delivery mode available to the editor, and geometry precedent is exactly what this board lacks.

Best-fit beat type in our script: composite GEOMETRY reference for the global spine (how a 9:16 stitch is divided and how a performer holds a product to lens inside one). FLAG: its 2-performer authority engine is explicitly NOT imported — S2 is 1 performer + a composited media source (mini-brief, binding). Its rigid 50/50 split is also not ours: our panel/performer ratio moves (P1/P2/P3) because our panel content is the argument, not a reactor. VS6 cross-adaptation logged at role level

Tooling stack inferred: green-screen split composite — the composite technique transfers, the second casting slot does not

Global visual spine (applies to every beat unless overridden): 9:16 vertical. PERFORMER PLATE: speaker 3.5 archetype — woman 38–48, minimal makeup, real skin, casual knit or soft solid top in a warm earthy neutral (nothing green, nothing patterned — keying discipline), shot on green with ≥1.5m separation, soft even key + a light edge/hair separation so the key holds cleanly on her hands (they are the format's working tool). Framed FULL-TORSO at webcam height, eye-level to a hair below, direct to lens, handheld-feel micro-drift (never gimbal-smooth). Keyed in post over a warm UGC home-wall plate — soft neutral wall, shallow depth, one warm practical or window source, a hint of domestic texture. NO studio seamless, NO beauty lighting, NO presenter set (review SOFT-6). STITCH PANEL: composited media source per beat, content changing every 2–3s, entering with a pop/whoosh; bold high-contrast sans overlays live in the panel layer, not on her. CUTTING: jump cut on nearly every sentence; zero dead air; the only two holds on the board are the script's [pause] (Beat 2) and [beat] (Beat 5), both ≤0.8s. AUDIO: subtle driving bed under the entire run, pop/whoosh SFX on every graphic entry, no silence anywhere. OST: bold high-contrast sans, all caps for verdicts, sentence-case for the qualifier lines; sparing — the panel carries most of the information. PROP LAW: exactly ONE physical object in the room, the real Kindled bottle; everything competing lives in the panel and is never touched.

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: full-torso MCU on green, webcam height, direct to lens, handheld micro-drift
BLOCKING: three hard points up-right on the three verdicts (arm must clear frame edge — shoot wide);
          palm-out stop gesture on the command line; end on clean MCU, bottle rising into hand
LIGHTING: soft even key + edge separation so the key holds on the hands; NO beauty light
WARDROBE: warm earthy knit, solid, nothing green
PROPS: Kindled bottle (enters only on the exit frame)
STITCH_PANEL (post): 3-up anonymized thyroid-drop listing cards, top plate, full beat;
          red ✗ stamp on card 1 (t≈0.8s) + card 2 (t≈2.2s); amber ⚠️ stamp on card 3 (t≈4.0s)
PANEL_STATE: P1 panel-dominant (panel top ~62%, performer bottom-left ~36%)
POINTING: arm crosses the seam on every accusation — non-negotiable
ON_SCREEN_TEXT (post): permanent 2-line card "⚠️ DO NOT BUY THYROID DROPS" / "until you flip the bottle", t=0 to beat end
SFX: pop/whoosh on each stamp; driving bed from t=0
TRANSITION (editorial): hard jump cut, 4-frame panel clear, scale to P3 seam frame
DIRECTION NOTE: protective-indignant peer — angry at the bottles, warm toward the viewer.
          Metronome-even triplet, punchy, no acceleration. 182.5 wpm, zero hesitation.
          NEVER credentialed, never corporate: the warning does the authority work.
DURATION: 9s (27 words @182.5 wpm = 8.9s)

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: same MCU, same framing as 1A (seam-identical exit)
BLOCKING: broad sweep across the grid on "forty dollars"; single precise point into the crop on "the math"
STITCH_PANEL (post): 6-tile anonymized listing grid, PRICES BLURRED (t=0-4s) → crop push to
          listing 1's supplement-facts panel (t≈4s) → hand-drawn "1 of 4?" tally scribbles on (t≈5.5s)
PANEL_STATE: P1 throughout
POINTING: sweep then point — the point must land inside the panel zone
ON_SCREEN_TEXT (post): "THE BACK-LABEL MATH" card, t≈1.5s to beat end
SFX: whoosh on the crop push; marker-scratch on the tally
TRANSITION (editorial): hard jump cut to P3 seam frame
DIRECTION NOTE: candor register — she is showing you her working, not selling. Flat, fast, certain.
          "forty dollars" is said as an ordinary fact, never as outrage.
DURATION: 8s (23 words @182.5 wpm = 7.6s)

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: MCU, keyed bottom-right this variant, direct to lens
BLOCKING: three fingers counted up on the three signs (hand held high, clear of the frame edge);
          wrist-turn bottle mime on "turn it around" — motion-matches Beat 2's real bottle lift
STITCH_PANEL (post): staged still — half-used dropper bottle on a nightstand, warm lamp;
          checklist stamps TIRED ☑ (t≈2.0s), COLD ☑ (t≈2.9s), GAINING ☑ (t≈3.8s)
PANEL_STATE: P2 balanced
POINTING: n/a this beat — the finger-count IS the gesture; hand stays on her side of the seam
ON_SCREEN_TEXT (post): "3 SIGNS your thyroid supplement isn't working" card, t=0.4s to beat end
SFX: soft tick per checklist stamp; driving bed from t=0
TRANSITION (editorial): motion-matched jump cut on the mime-flip
DIRECTION NOTE: the softest of the three doors — recognition, not accusation. She is describing
          her own last bottle. The colon in the script line is page punctuation: read it as a
          full stop (SOFT-4), identical audio, no copy change.
DURATION: 8s (23 words @182.5 wpm = 7.6s)

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: P3 full-frame MCU open → scale to P2 → P1 corner as panel takes over
BLOCKING: real bottle raised to lens at t=0 (label toward camera, held casually, not presented);
          gesture between the incoming cutouts; PHYSICALLY TURN THE BOTTLE IN HAND on "back panels?" —
          her real flip is the cue for the panel flip (the two motions must match frame-for-frame)
PROPS: the real Kindled bottle (the board's ONLY physical prop, enters here, never leaves)
STITCH_PANEL (post): NONE (t=0-2.5s) → 2 look-alike bottle cutouts slide in, fronts to lens (t≈2.5s)
          → all three FLIP, resolve to 2 supplement-facts crops side by side, Kindled L / competitor R (t≈7s)
PANEL_STATE: P3 → P2 → P1
POINTING: open-hand presentation, not accusation, this beat — the register softens to conspiratorial candor
ON_SCREEN_TEXT (post): "SAME FRONT. DIFFERENT BACK." card, t≈7.3s to beat end
SFX: pop per cutout; a single flip whoosh on the three-way turn
TRANSITION (editorial): [pause] = dead-still ≤0.8s hold on the flipped panels, then hard cut on "VERY different."
DIRECTION NOTE: conspiratorial candor — she is letting you in on something. "VERY different" carries
          CAPS emphasis in VOICE only (pitch, not volume); it is never burned as text.
DURATION: 10s (30 words @182.5 wpm = 9.9s + the [pause])

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: corner bug lower-left (~28% height) — shoot the SAME wide MCU take, crop in post
BLOCKING: hand rises and lands on each named line as it is circled — four touches, evenly spaced
STITCH_PANEL (post): Kindled supplement-facts macro, near-full-frame; highlighter circles draw on
          IODINE (t≈1.0s) / SELENIUM (t≈3.0s) / ZINC (t≈6.5s) / COPPER (t≈9.0s), ACCUMULATING;
          corner counter 1→2→3→4, holds "4 OF 4"
PANEL_STATE: P1 (maximum panel)
POINTING: four seam-crossing touches — this is the beat where the pointing must be most precise
ON_SCREEN_TEXT (post): counter stamps only
SFX: pop per circle; counter tick per increment
TRANSITION (editorial): jump cut; the four-circled panel SLIDES LEFT into Beat 4 (circles persist)
DIRECTION NOTE: downshift half a step — teach cadence, one job per breath. She assumes the viewer
          reads panels (she does — VOC: "Get TSH done again, FT4, FT3, iron panel incl. ferritin").
          T4/T3 runs UNGLOSSED. Generous, not lecturing.
DURATION: 11s (34 words @182.5 wpm = 11.2s)

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: corner bug lower-left, continuous from Beat 3
BLOCKING: point left (ours) then right (theirs) on the comparison; hand drops flat on "ANYTHING"
STITCH_PANEL (post): two-up. LEFT = Kindled panel, 4 circles intact (continuity from Beat 3).
          RIGHT = competitor supplement-facts crop, one yellow highlight, red strike-through drawing
          across the rest on "That's it." (t≈4.5s)
PANEL_STATE: P1, split two-up
POINTING: one seam-crossing point per side
ON_SCREEN_TEXT (post): "1 OF 4 JOBS." card stamps on the competitor half, t≈5.5s to beat end
SFX: strike-scratch on the red stroke; hard stamp hit on the card
TRANSITION (editorial): hard jump cut; two-up collapses to the competitor crop alone
DIRECTION NOTE: flat, unhedged verdict register — this is a voltage-floor evidence line, do NOT
          soften it into a caution. "ANYTHING" carries CAPS emphasis in VOICE only. No sneer:
          she is stating arithmetic, and the arithmetic is what's brutal.
DURATION: 10s (31 words @182.5 wpm = 10.2s)

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: corner bug through the scroll → scale UP to ~40% on the prescription accusation
BLOCKING: still through the [beat] hold (she waits with the viewer); point at the red circle on
          "Iron."; point at the Rx bottle on "working against your prescription"
STITCH_PANEL (post): competitor crop scrolls down slowly (t=0-2.5s, the audit motion) → HARD STOP
          with IRON centered + red circle slam (t≈2.8s) → panel splits: iron crop L / anonymized amber
          Rx bottle R + red interference arrow pulsing between (t≈5.5s)
          CORNER SLOT — variant A: the ⚠️-stamped Hook-A listing returns (callback payoff).
                        variants B/C: a plain third listing card, NO ⚠️, no callback. DO NOT cross-cut these.
PANEL_STATE: P1 throughout, performer scales up mid-beat
POINTING: two seam-crossing points, both hard
ON_SCREEN_TEXT (post): "IRON + LEVOTHYROXINE ✗" card, t≈5.8s to beat end
SFX: soft scroll rumble; HEAVY hit on the red circle slam (biggest hit on the board); pulse on the arrow
TRANSITION (editorial): hard jump cut, panel wipes to COMMERCE family
DIRECTION NOTE: the indignation peak — re-accelerate through this beat. [beat] after "the one nobody
          checks" is a TIGHT ≤0.8s hold, then "Iron." lands as a single hard word on the circle slam.
          Present tense, unhedged: "IS working against your prescription" (the hard verb shipped at write —
          never let a take drift back to "can work against").
DURATION: 11s (33 words @182.5 wpm = 10.8s + the [beat])

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: back up to P2 MCU, warmer, open posture
BLOCKING: light open-hand gestures only — NO pointing this beat (the accusation register is over)
STITCH_PANEL (post): COMMERCE montage, ~2s each: "Back in stock" banner → add-to-cart tap →
          multi-bottle cart line. ALL our own site. ZERO numbers on screen.
PANEL_STATE: P2 balanced
ON_SCREEN_TEXT (post): "IT KEEPS SELLING OUT." card, t≈4s to beat end
SFX: pop per panel change; a soft cart-tick on the add-to-cart
TRANSITION (editorial): hard jump cut; PANEL DROPS OUT PERMANENTLY
DIRECTION NOTE: confident warmth from here to the close — sure, not rushed. SOFT-5 mitigation:
          the hinge line ("One more thing worth knowing") is LOCKED copy, so it must not sit in a
          hold — land the family switch and a hard cut ON "Kindled keeps selling out," so the
          connective rides UNDER a transition instead of announcing a digression.
DURATION: 9s (28 words @182.5 wpm = 9.2s)

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: P3 full-frame MCU, home-wall plate, direct to lens
BLOCKING: one clean unhurried flip of the REAL bottle, front to back; hold the back panel to lens
          through the counting stamps; do not withdraw it — it stays up into Beat 8
PROPS: the real Kindled bottle (same bottle, same label state, since Beat 2)
STITCH_PANEL (post): NONE. Zero panel. This is a hard instruction, not an omission.
PANEL_STATE: P3
ON_SCREEN_TEXT (post): numeral stamps 1 / 2 / 3 / 4 over the LIVE bottle's back panel,
          t≈3.2 / 3.8 / 4.4 / 5.0s — each landing on a real line of the real label
SFX: soft tick per numeral; the bed thins here (the only place it breathes)
TRANSITION (editorial): NO CUT — continuous into Beat 8
DIRECTION NOTE: she hands it over and steps back. "YOURSELF" carries CAPS emphasis in VOICE only.
          No urgency, no push — the confidence of someone who knows the viewer will check.
DURATION: 6s (19 words @182.5 wpm = 6.2s)

PRIMARY_LAYER: real-shoot (green-screen key, UGC-native)
PLATE: P3 full-frame MCU, continuous from Beat 7 (no cut into this beat)
BLOCKING: lower the bottle to chest on the guarantee; hold level through the dare; settle on the
          final line; end frame = bottle at chest, badge beside it, ~1.2s hold
PROPS: the real Kindled bottle (unbroken continuity from Beat 2)
STITCH_PANEL (post): NONE — and no PDP frame, no button, no arrow, no link chrome anywhere
PANEL_STATE: P3
ON_SCREEN_TEXT (post): "30-DAY MONEY-BACK GUARANTEE" badge t≈2.5s (~4s hold, NO seal/ribbon) →
          "STILL TIRED?" t≈6.5s → "STILL COLD?" t≈7.2s → "EVERY DOLLAR BACK." t≈8.2s to end frame
SFX: soft stamp on the badge; two light hits on the stakes; a final settled hit on "EVERY DOLLAR BACK.";
     the bed resolves out under the end frame
TRANSITION (editorial): 1.2s end-frame hold, cut to black
DIRECTION NOTE: land steady and certain — sure, not rushed. Say the guarantee WHOLE ("a thirty-day
          money-back guarantee") and never clip it to a bare "thirty days" (it would read as a supply
          claim). "still tired" and "still cold" are the dare's stake: hit them FLAT and certain,
          never pitying. "That's confidence, not fine print." is inherited register, not filler —
          deliver it as a shrug, not a slogan. "Go see if it's in stock." — stock-check register,
          urgency without volume, NO link language, ever.
DURATION: 14s (40 words @182.5 wpm = 13.2s)

• ONE performer, ONE wardrobe, ONE keyed home-wall plate across the entire board. The performer plate never changes location, lighting or framing family — only its scale within the composite changes (P1 bug → P2 MCU → P3 full-frame), and every scale change is a deliberate, listed move (VH2 satisfied via documented state changes rather than location cuts).
• The performer-scale arc is the persuasion arc: she is small while the evidence is the argument (beats 3–5, the arithmetic), grows back as the register warms (beat 6), and owns the frame entirely once the argument has been handed to the viewer (beats 7–8). A single continuous wide take, cropped — never a re-shoot per state.
• Panel-family arc, closed and legible: RETAIL (accuse) → PANEL (prove) → COMMERCE (demand) → NONE (verify + close). The panel never returns after beat 6, which is what makes the verification beat land as a handover rather than another slide.
• Prop law held: exactly one physical object exists in the room — the real Kindled bottle. It enters at Beat 2, is turned in her hand at Beat 2, is flipped and counted at Beat 7, and is still in her hand at the end frame. Every competing artifact lives in the panel and is never touched. No frame ever shows her handling a competitor's bottle.
• Circle continuity: the four highlighter circles drawn on the Kindled panel in Beat 3 persist unchanged into Beat 4's two-up. They are drawn once, on camera, and the audience remembers watching it — which is why "1 OF 4 JOBS." reads as arithmetic and not as a claim.
• Colour discipline: the board is warm neutrals + flat evenly-lit panel captures, with saturated red reserved exclusively for the ✗/⚠️ verdicts (1A), the strike-through (4), and the iron circle + interference arrow (5). Red never appears anywhere else, so the Iron Tell is visibly the peak.
• Hook seams: all three variants exit on the IDENTICAL P3 seam frame with the panel cleared and the bottle rising into hand, so any variant cuts onto Beat 2 with no re-introduction. 1C's mime-flip additionally motion-matches Beat 2's real bottle lift (the cleanest of the three).
• Variant-conditional element, flagged once: Beat 5's corner thumbnail is a Hook-A callback on variant A and a plain third listing card on B/C. This is the board's ONLY variant-dependent body element — everything else in beats 2–8 is shared.

• First 5s: PASS on all three variants via Fork 4 strategy 1+2 (speaker face + on-screen text, enriched with the donor's composited-media grammar). A: permanent warning card at t=0 + three listing cards + ✗ ✗ ⚠️ stamps landing by t≈4.0s + continuous pointing. B: 6-tile shopping grid + "THE BACK-LABEL MATH" card at t≈1.5s + the "1 of 4?" tally by t≈5.5s. C: "3 SIGNS…" card at t=0.4s + three checklist stamps by t≈3.8s + the finger count. Donor's own verdict on this exact grammar: passes "with flying colors."
• Hook OST specs + word counts (VS2, ≤12 words each): A "⚠️ DO NOT BUY THYROID DROPS" (5w) / "until you flip the bottle" (5w) — 10w total across the two-line card ✓ · B "THE BACK-LABEL MATH" (3w) + "1 of 4?" (3w) ✓ · C "3 SIGNS your thyroid supplement isn't working" (7w) + "TIRED ☑" / "COLD ☑" / "GAINING ☑" (1w each) ✓.
• VS5 (asset survives the full 5s): A's warning card is permanent for the beat and the stamps land at 0.8 / 2.2 / 4.0s — continuous coverage ✓. B's grid runs t=0–4s, the card takes over at 1.5s and holds ✓. C's card is up at 0.4s and the checklist runs to 3.8s ✓.
• U12 scan of every viewer-visible on-screen string: found + fixed 1. The script's Hook-A OST was written as one line containing an em dash ("⚠️ DO NOT BUY THYROID DROPS — until you flip the bottle") → recast as a two-line card, dash removed, wording otherwise unchanged. Full swept inventory, all dash-free: "⚠️ DO NOT BUY THYROID DROPS" · "until you flip the bottle" · "THE BACK-LABEL MATH" · "1 of 4?" · "3 SIGNS your thyroid supplement isn't working" · "TIRED ☑" · "COLD ☑" · "GAINING ☑" · "SAME FRONT. DIFFERENT BACK." · "1" "2" "3" "4" · "4 OF 4" · "1 OF 4 JOBS." · "IRON + LEVOTHYROXINE ✗" · "IT KEEPS SELLING OUT." · "30-DAY MONEY-BACK GUARANTEE" · "STILL TIRED?" · "STILL COLD?" · "EVERY DOLLAR BACK." Remaining em/en dashes: 0. ("BACK-LABEL", "30-DAY", "MONEY-BACK" are compound hyphens and stay; ✗ ⚠️ ☑ + are glyphs, not dashes.)

production_limitations.md is a sparse skeleton (<3 non-template entries) → formal YS6 cross-check silent-skipped per the file's own heuristic (as recorded in the Research Brief: "no donor is SCAFFOLD-blocked on production grounds"). Tool-knowledge flags applied from avatar_tool_prompt_syntax.md + the real-shoot/composite routing:

1. Fork 1 rationale (the anti-AI call). This board is REAL-SHOOT-ONLY on the default path. The donor's grammar is saturated with exactly what AI render handles worst: constant pointing with the hand crossing a composite seam, a physical bottle flip that must frame-match a graphic flip, and a live sublingual-free but hand-forward prop performance through the entire back half. Speaker 3.5 also has no trained Soul ID on file. A Soul Cinema fallback exists — it would require a /higgsfield-soul-id training pass and would force restaging every pointing and prop beat — and it is degraded; flag to Zied before taking it.
2. Keying discipline is the shoot's #1 gate. Shoot FULL-TORSO with both hands clear of every frame edge so post can crop to P1/P2/P3 without amputating the pointing arm. ≥1.5m subject-to-screen separation, soft even key plus an edge/separation light so the matte holds on moving fingers. Wardrobe: nothing green, nothing patterned, no jewellery that flares.
3. Anti-studio constraint (review SOFT-6). The keyed background is a warm home-wall plate, home-lit, shallow depth. Studio seamless, beauty lighting and any presenter-set dressing are banned — speaker 3.5's Known-incompatible row is Solo × Studio.
4. Panel legibility gates ×4: Kindled supplement-facts macro (Beat 3 — the hard one; copy-stand flat macro, fallback = a label-true typeset recreation at larger scale), competitor facts crops (Beats 4, 5), retail listing cards (1A/1B — build at 2×, crop tight), live back-panel flip (Beat 7 — push in tighter rather than cutting to a crop).
5. Anonymity + fact discipline in every panel frame: competitor brand marks blurred/cropped; the Rx bottle label anonymized or blank; Beat 6 uses our own site only; prices blurred with a blur (never a black bar); zero invented numbers anywhere on screen — no stock counts, no review counts, no price, no percentage.
6. All on-screen text in POST — nothing burned in camera, including the permanent Hook-A warning card.
7. Two competitor panels required, not one (Beat 4 thin panel + Beat 5 iron-bearing panel), so a category verdict never narrows visually into a single-brand attack.
8. Pause/runtime discipline: both delivery tokens boarded as tight ≤0.8s holds (Beat 2's [pause], Beat 5's [beat]). Delivered A 81.2s (1.8s headroom) · B/C 79.8s (3.2s) against the 83s ceiling. No third pause may be added; editors must not pad; nothing is trimmed elsewhere to buy A margin (no-word-shaving rule). Prefer B or C where runtime pressure matters.
9. Speaker 3.5 casting: real 38–48 talent, educated peer register, comfortable pointing at nothing (she performs against a blank green wall and the panel is added later — brief her on where the panel lives, or tape sightline marks). Both 3.5 and 3.8 are UNTESTED on D11 — this run is also the combo's first test.
10. Variant-conditional deliverable: Beat 5's corner slot ships in two versions (A-callback / B-C plain). Three final cuts, one shared body, two beat-5 renders.

Per-beat prompts collated above in real-shoot + composite syntax (production-team-facing shot list, per avatar_tool_prompt_syntax.md real-shoot conventions, extended with the STITCH_PANEL / PANEL_STATE / POINTING fields this format requires and the v2 per-beat schema does not model). Layer stack: real shoot (single performer, green screen, ONE continuous wide take per beat, cropped to state in post) · capture pass (listing screens, own-site frames) · macro pass (supplement-facts panels ×3, bottle cutouts, Rx bottle) · post (key + composite, panel choreography, all stamps/cards/badge, SFX, bed). NO AI generation layer on the default path. Degraded fallback (flag before use): Soul Cinema presenter — requires a /higgsfield-soul-id training pass for speaker 3.5 (none on file) and loses every pointing and prop beat.

• VS1 (B-roll density): panel content changes every 2–3s and the presenter jump-cuts on nearly every sentence — far ABOVE the 1-per-10s ceiling by design. CONFIRMED-INTENTIONAL, donor-faithful: the donor's measured grammar is "visual pops every 2–3 seconds," and in a stitch composite the panel is not B-roll interrupting a talking head, it is a continuously present co-star. The VS1 band does not model this layout.
• VS6 (cross-adaptations): 3 logged in-board — Hook 1B ← Anchor B (transparency-stunt candor-open kept, D03 staged-studio format rejected: it collides with speaker 3.5's Solo × Studio incompatibility); Hook 1C ← Anchor C (enumerated-checklist OST grammar kept, D01 costumed-authority register rejected: a credentialed voice kills this concept); global spine ← Anchor E (9:16 stitch geometry + product-to-lens kept, its 2-performer engine and rigid 50/50 split rejected). 1 logged at ROLE level — Anchor D is a static, copy-layer-only citation with its visual pattern excluded wholesale (§2c demotion, confirmed by the review's media verification).
• VS3 / VS3b: every beat cites Anchor A or logs an original-direction rationale, and every panel cue in the matrix carries its anchor or rationale inline. Two declared original-direction calls: Beat 7's panel drop-out (calibrated to the verification persuasion goal) and Beat 8's two named-stake stamps (calibrated to executing the v1.1 copy fix visually).
• Review SOFT-1 (the "Take it for a month." pronoun): not a storyboard defect, and mitigated visually — the bottle is on screen continuously through the entire close, so the referent has a picture. Named for the human: the review flags this as reasonably escalable to HARD with a +1-word fix; the copy is locked at v1.1 and this board changes zero words.
• Review SOFT-5 (Beat 6's limp hinge): mitigated storyboard-side via the panel-family switch + hard cut landing on "Kindled keeps selling out." Copy untouched.
• Review SOFT-6 (studio collision): boarded, not just noted — see the anti-studio ruling and cross-ref #3.
• Review SOFT-7b (hook heading timing): resolved — Hook A boarded at its true 8.9s → 0:00–0:09.
• Format-novelty flag (operator-level, not a rule violation): this is the account's first green-screen reaction stitch. The composite contract above is written to be executable with no in-house precedent, but the first cut should be QC'd specifically for the two failure modes this format has: (a) a pointing arm cropped at the seam, and (b) an eyeline that drifts to the panel.

Concept ID: S2 · CID: KD_C0080 (pre-allocated) Production Target: REAL SHOOT green-screen stitch (1 performer keyed + composited media panel; capture/macro asset pass; all text + composite in post; no AI layer on default path) Visual Style: donor-derived green-screen accusation composite (lymphoria D11 grammar, UGC-native plate) Comp Library Anchors: 1492572615705936 (DONOR/SEED, pinned), 1018924643817868, 1514909627007491, 2684523008388969 (static, copy-layer), 4114239875533382 (geometry ref) Mute-test: PASS (all 3 hook variants) Production-limitation flags: 10 (real-shoot-only pointing/prop actions, keying discipline, anti-studio constraint, panel legibility ×4, anonymity + no-invented-numbers, post-text, two competitor panels required, pause/runtime headroom, speaker combo test, variant-conditional beat-5 render)

**Adapted-convention / compat skips (flagged, not silently dropped):** Beat 1A/1B/1C hook variants · cumulative INTEGER M:SS contiguous timecodes on the Hook-A baseline (0:09; B/C bodies shift −1s) · CID KD_C0080 stamped at storyboard time (PRE-ALLOCATED per the E3/R3 convention — no mint-at-ship collision) · donor PINNED as anchor cornerstone with NO fresh comp query (run-order directive) · eight-beat discipline preserved incl. the UMS-before-UMPb inversion · composite-layer contract + per-beat panel/plate split added as a NEW board section (no v2 schema field models it) · all-practical asset matrix · SKIPPED per echo convention: rotation-log append (§2g), concept_pipeline append (7c), library_changes style-family log, Notion/board/publish (§7d) — "echo run — handled at package" · save path redirected to the Echo session tree.

1. The per-beat schema has no composite fields — this board invented them and they should be pinned. v2's per-beat "Shot type / B-roll cue / Avatar-tool prompt" triple assumes one production layer per beat and treats non-presenter imagery as interruption. A D11 stitch has two continuously co-present layers with an independent content clock. This board added Composite state / Stitch panel / Performer plate as first-class per-beat fields plus a three-state geometry vocabulary (P1/P2/P3) and a panel-content-family arc. E3's finding 2 (split-screen needs PRIMARY + B_ROLL + OVERLAY stacking) predicted this; S2 is the case that forces it. Recommend promoting the composite fields + the state vocabulary into avatar_tool_prompt_syntax.md as the named stitch-composite pattern before the next D11 board.
2. "Panel absence" is a boardable persuasion move. The strongest structural decision here is that the stitch panel drops out permanently at Beat 7, so the verification instruction is demonstrated with a real object in a real hand rather than on the same screen the ad has been accusing everyone with. That only reads as a move because the panel was relentlessly present for six beats. Worth naming as a general composite-format device: the co-star layer's exit is available as a beat, and it is cheapest exactly where the ad hands agency to the viewer.
3. Variant-conditional BODY elements exist and need a schema slot. Beat 5's corner callback pays off Hook A's third accusation — and is meaningless on the B/C cuts. The Echo 1×3 contract assumes hooks are interchangeable and the body is shared, but a SEED transposition whose hook plants a visual receipt creates a body element that is not variant-neutral. Handled here with an explicit two-render instruction; recommend the 1×3 contract gain a "variant-conditional body elements" declaration so this can never be discovered at edit time.
4. A second measured example of the delivery mode is worth an anchor slot even when it is not a content match. Anchor E (4114239875533382) contributes nothing to angle, mechanism or copy — it is in the set purely because it is the only other measured D11, and geometry precedent was the single thing this board most lacked. For a format the account has never shipped, "how is a 9:16 stitch divided" is a real anchor question. Recommend: when a board is the account's FIRST in a delivery mode, deliberately reserve one anchor slot for a same-mode geometry reference regardless of niche or angle fit.