STORYBOARD — R3 Two Droppers. That's the Whole Routine. — Solo × At-home (raw peer confessional) [KD_C0076]

The locked script is an Echo-chain deliverable and does not carry v2 Fields 19/20/21/25. Mapping used:

Review-flag dispositions (ship order, gates delegated): copy is LOCKED — the storyboard changes zero words. ① "No brainer" = writer's register choice (plan-text reclassification only; a legal D02 device — the donor's own close carries the same register). ② "link's below" KEPT as locked donor-parity copy (the donor's own close device); the OST layer carries placement with a bare "↓" arrow, adding no link language of its own. ③ Pause headroom honored structurally: both scripted [pause] beats are boarded as tight holds (≤0.8s) and NO beat adds breathing room — see the pause note and Production-limitation cross-ref #6.

Hook-variant handling (Echo 1×3 contract): Beat 1 exists as THREE storyboard variants (1A / 1B / 1C) — interchangeable opening sections. Beats 2–9 are the shared locked-body storyboard. All three variants end on the identical handoff line ("Nobody warned me what two droppers a day would do to that whole shelf.") at IDENTICAL selfie framing, so any variant cuts cleanly onto the shared Beat 2 — whose first line ("two droppers… look at this shelf") welds the seam from all three doors.

Delivery markup: [pause] ×2 (body) / [quieter] ×1 / CAPS emphasis stripped from all on-screen text; carried into per-beat DIRECTION notes only. Pause note: 2 scripted [pause] marks in the body ≈ +1.6s (~0.8s each) over word-derived runtime → delivered ≈ A 119.1s · B 120.0s · C 120.0s vs band ceiling 121.9s. Headroom: A 2.8s · B 1.9s · C 1.9s. ALL variants stay inside the band on the delivered basis — but B/C carry only 1.9s of slack: editors must NOT pad, keep both pause holds tight (~0.8s max), add NO third pause, and prefer A where runtime pressure matters.

Ten-beat discipline (donor budget preserved): 10/10 donor beat order (hook zone = donor beats 1–2 as one move, per the plan's declared hook-section ruling). Heaviest beat = UMS 19.9s / 18.4% word-share vs donor's UMS 16.0% duration-share — the donor's own heaviest slot, inside ±10pp (review-verified). No beat order swaps, no beat added, no beat dropped.

Rotation: N/A this run — the donor is PINNED per the run order (COMPOSITE structural anchor, binding; no rotation re-query executed). Supporting anchors are the concept's own CITED formula/import exemplars (declared choices per §2f — deliberate re-use is the operator's right; rotation never blocks a declared choice). Log append SKIPPED (echo run — handled at package). Within-session diversity: zero overlap with the pilot boards' supporting sets. Pool note: no fresh §2b query ran (donor pinned; imports are copy-layer by run order — "storyboard the ANCHOR gestalt"). The two groundingwell exemplars + the ankhway exemplar enter ONLY as copy-structure anchors (demoted per the §2c static-demotion logic, applied here by ROLE: their visual patterns are explicitly out of scope for a COMPOSITE board — the whispore gestalt owns every frame).

[Anchor A — CORNERSTONE] 1370395868564992 — whispore — winner_score 60.08 — video (THE DONOR, COMPOSITE STRUCTURAL ANCHOR — pinned) Hook pattern: H13 reverse-psych command ("Please don't buy…") delivered WHILE physically consuming the product (thick green gel off a wooden spoon) — cognitive dissonance carries the scroll-stop; hook line burned bold clean white sans-serif, lower-middle third; qualification implicit in the product-named-in-hook move On-screen text style: clean white auto-generated-style captions, bottom-center, every word at speech pacing (native platform feel); the hook command doubles as a burned card; NO caps-yellow burn grammar — this is the anti-produced look B-roll cuing: visceral INSET PHOTOS overlaying the presenter (before/after tongue at 0:11–0:21, teeth at 0:55) — the donor's proof grammar is inset receipts, not B-roll scenes; live product interaction (eating it, showing the jar label, pointing at the back panel) Transition style: fast jump cuts every 2–3s on the presenter; insets pop over her, never replace the scene for long Mute-test asset: the bizarre consumption visual + the "don't buy" burn — donor report: "passes exceptionally well" sound-off

Best-fit beat type in our script: ALL (structural-anchor gestalt borrow); primary: hook mid-dose dissonance (1A), before/after inset proof (Beat 2), label-point UMS grammar (Beat 7), demand-scarcity close register (Beat 9)

Tooling stack inferred: real creator, own phone, home setting, practical props — maps 1:1 to our real-shoot phone-native target. No adaptation strain anywhere: this is the lightest producible board in the Echo chain

[Anchor B] 1506106117671683 — tryjevi — winner_score 61.86 — video (in-niche; HOOK-B FORMULA source) Hook pattern: H05 Remedy Firing Squad — "If you take any of these four supplements on their own… before you reorder" — name-the-singles + before-you-reorder wedge, drawn as a 2×2 whiteboard grid by a hand-in-suit (D03 lecture set-piece) On-screen text style: whiteboard-native (the grid IS the text) B-roll cuing: none — the drawing hand carries Mute-test asset: the grid filling in

Best-fit beat type in our script: Hook 1B ONLY (the name-the-singles move). FLAG: its whiteboard-lecture format does NOT fit our raw-confessional gestalt — borrowed at FORMULA level, re-staged as real bottles tapped on a real shelf (VS6 cross-adaptation logged; the mini-brief's own transposition)

Tooling stack inferred: whiteboard set-piece — rejected; our restaging is phone + shelf

[Anchor C] 1580939546918926 — trysculptique — winner_score 64.46 — video (HOOK-C FORMULA source, per mined/hook_seconds.md H01) Hook pattern: H01 Symptom Mirror — "If your belly looks like this, or this…" — stacked second-person conditionals, each landing on a POINTED visual instance (the pointing-inventory move), then the peer mirror On-screen text style: conditional callouts synced to the pointed instances Mute-test asset: the pointing inventory itself

Best-fit beat type in our script: Hook 1C ONLY (conditional-inventory pointing grammar). FLAG: its body-instance pointing becomes ROUTINE-ARTIFACT pointing (organizer / alarms / sticky note) — VS6 cross-adaptation logged (the script's own OST/visual annotation declares it)

Tooling stack inferred: creator phone video — transfers as-is

[Anchor D] 2211842355868524 + 2989934331175887 — groundingwell — winner_scores 94 / 91 — (COPY-LAYER ONLY — demoted by role) ANG_ENERGY_LONGEVITY_FOUNDATIONS_04 Effortless/Passive-Compliance transplant + MP_06 passive-effortless-protocol exemplars. The imports land in the Format-Advantage beat's WORDS (already locked at /write-echo); their grounding-mat/sleep-protocol visual worlds are OUT OF SCOPE for this board.

Best-fit beat type in our script: Beat 8 copy only — NO visual borrow (COMPOSITE rule: imports are copy-layer; the anchor gestalt owns the frame)

Tooling stack inferred: n/a (no visual transfer)

[Anchor E] 1136339891490192 — ankhway — winner_score 92 — (COPY-LAYER ONLY — demoted by role) MP_08 identity-restoration exemplar ("I'M MENOPAUSAL AND I FEEL LIKE 20 AGAIN") — imported at D02 confessional intensity as the locked "singing in the car — there she is" line (Beat 3). Its all-caps testimonial-shout visual register is explicitly rejected.

Best-fit beat type in our script: Beat 3 copy only — NO visual borrow

Tooling stack inferred: n/a (no visual transfer)

Global visual spine (applies to every beat unless overridden): 9:16 vertical, PHONE-NATIVE — this must read as a real woman's selfie video, not a produced ad. ONE continuous selfie framing: medium close-up, phone at upper-chest height a touch below eye-level (FaceTime intimacy), handheld micro-movement (never stabilized-gimbal smooth), direct to lens. Set: her bathroom/kitchen counter; THE SHELF visible over her shoulder — the load-bearing prop. Live shelf is ALWAYS in NOW-state: ONE Kindled dropper bottle + the thyroid-meds bottle beside it ("not counting my thyroid meds, those stay" — the meds bottle is a visible continuity receipt, never removed). BEFORE-state exists only as (a) phone-photo insets and (b) the retired-bottle box (a cardboard box holding the seven bottles + organizer, used as a prop in Beats 6/8). Wardrobe: casual knit sweater, earthy neutrals (donor palette), unchanged all board. Speaker: woman 40–55, minimal makeup, real skin. Captions: FULL coverage — every spoken word, clean white auto-generated style, bottom-center, at donor pacing; caption track renders with NO em/en dashes (auto-caption grammar: line breaks at phrase boundaries — U12-clean by construction, matching the donor's own punctuation-free caption track). OST cards: white bold sans, lower-middle third (donor hook-burn placement), sparing — the caption track is the primary text layer. Cutting: jump cuts every 2–3s on the presenter (donor cadence); practical insert pop-ups every 3–5s per the script's delivery notes. Audio: VOICE ONLY, no music (donor: 100% focus on voice); room tone; subtle lo-fi allowed only if the edit reads dead, default OFF. Props continuity: same Kindled bottle, same 28-slot organizer, same phone (alarms), same shelf geography in every appearance.

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: selfie medium close-up, 9:16, phone upper-chest height slightly below eye-level
BLOCKING: dropper under tongue at t=0, eyes to lens; pull dropper at "Not if"; Kindled bottle stays in frame throughout; end beat on clean MCU for the universal handoff seam
LIGHTING: natural window light, no fill — real-morning feel
WARDROBE: casual knit sweater, earthy neutrals (speaker default)
PROPS: Kindled dropper bottle (label toward lens, incidental not staged)
ON_SCREEN_TEXT (post): "please don't switch." card t=0.3-4.5s + full auto-caption track
B_ROLL: none
TRANSITION (editorial): jump cut on handoff line
DIRECTION NOTE: deadpan dissonance, half-smile on the warn line; the dissonance lives in the picture, the voice stays casual; 192.5 wpm, zero hesitation (donor fingerprint)
DURATION: 9s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: open tight on the NOW-shelf zone re-dressed with the three named single bottles for this variant's open (selenium / zinc / D3 labels legible), hand taps each on its spoken name; whip to selfie MCU
BLOCKING: tap cadence locked to the three names; face enters at "hear this"
PROPS: 3 single-supplement bottles (selenium, zinc, D3 — labels readable), staged on the shelf edge; struck before Beat 2 (they belong to the BEFORE world)
ON_SCREEN_TEXT (post): "before you reorder →" card t≈4-7s + caption track
B_ROLL: none
TRANSITION (editorial): jump cut on handoff line
DIRECTION NOTE: brisk, list-calling energy on the names; wedge line direct to lens; zero hesitation
DURATION: 10s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: 3-cut insert inventory (organizer / alarm stack / sticky note), pointing finger in each frame; selfie MCU close for "I was you"
BLOCKING: each cut lands ON its spoken conditional; point is casual, not demonstrative
PROPS: loaded 28-slot organizer; second phone showing 4 labeled alarms ("THYROID" visible); handwritten sticky note "4 HRS AFTER LEVO"
ON_SCREEN_TEXT (post): none added — prop text carries; caption track from t=0
B_ROLL: the inserts are primary
TRANSITION (editorial): jump cut on handoff line
DIRECTION NOTE: wry recognition, not complaint; "I was you" lands soft and level
DURATION: 10s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU → whip to NOW-shelf (ONE Kindled bottle + meds bottle) → full-screen BEFORE photo inset → live bare shelf hold
BLOCKING: her hand gestures the shelf on "look at this"; the [pause] before "One bottle." is a TIGHT hold (≤0.8s) on the live shelf, then "Done." lands on a cut back to her face
PROPS: NOW-shelf dressing (Kindled + meds bottle); BEFORE photo shot FIRST on the same shelf (see limitation)
ON_SCREEN_TEXT (post): "7 BOTTLES" / "28-SLOT ORGANIZER" / "4 ALARMS" stamps on the inset + caption track
B_ROLL: the before-photo inset (t≈3-11s of beat)
TRANSITION (editorial): 1s live-shelf hold, jump cut out
DIRECTION NOTE: show-and-tell energy, inventory delivered as receipts, flat and fast (donor fingerprint); do NOT rush the two-fragment landing "One bottle. Done." — full stops
DURATION: 15s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU → tighter MCU; optional 2s car dash-selfie insert; tight MCU through the [quieter] line, uncut
BLOCKING: stillness through "I almost cried" — no gesture, no smile-selling
PROPS: none (car clip: her own car, phone on dash)
ON_SCREEN_TEXT (post): captions only — no cards this beat
B_ROLL: optional car clip at "singing in the car"
TRANSITION (editorial): half-beat hold, jump cut out
DIRECTION NOTE: drop the pace — the one soft zone; "GONE" carries CAPS emphasis in VOICE (pitch, not volume); [quieter] admission is the lowest, truest moment in the script; eyes can well, do not push it
DURATION: 9s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU lean-in; 2s top-down box insert on "spent hundreds"
BLOCKING: the lean-in is the "aha" — conspiratorial, sharing the thing nobody told her
PROPS: retired-bottle box (the Beat-2 strike, re-used — continuity)
ON_SCREEN_TEXT (post): "IT WAS AN ABSORPTION PROBLEM." card + captions
B_ROLL: box insert
TRANSITION (editorial): jump cut out
DIRECTION NOTE: the "aha" turn, leaning in; "nobody told me" carries quiet indictment, not anger
DURATION: 12s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU, single framing, jump cuts riding the fragment stops
BLOCKING: minimal gesture until the counter rap ×2 on "knocking on it" — the one physical beat
PROPS: none
ON_SCREEN_TEXT (post): "GUT MOTILITY ↓" / "STOMACH ACID ↓" stamps + captions
B_ROLL: none (declared original-direction — donor parity)
TRANSITION (editorial): jump cut out
DIRECTION NOTE: authoritative-on-science, crisp; the fragment cascade snaps — "Gut motility drops. Stomach acid drops." full stops, metronomic; door metaphor delivered as discovery, not lecture
DURATION: 15s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU with box business; 2s ingredient-panel macro (finger on "Iron"); MCU with Kindled bottle lift
BLOCKING: box shove is dismissive-casual, not theatrical; bottle lift is offhand — the ease IS the argument
PROPS: retired-bottle box; competitor-style complex bottle (label brand turned away, panel toward lens); Kindled bottle
ON_SCREEN_TEXT (post): "IRON BLOCKS ABSORPTION." card + captions
B_ROLL: iron-panel macro
TRANSITION (editorial): motion-matched jump cut (bottle in hand) into UMS
DIRECTION NOTE: the donor's "you can keep it" dismissal energy — wry, not angry; triple lands on full stops; "watching my energy come back" trails easy
DURATION: 13s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU → bottle-to-lens → dropper macro + 1s dose insert → 4 label-point macros → MCU
BLOCKING: bottle intro is show-not-sell (she introduces it like a find, not a pitch); label points land ON each spoken ingredient name; dose insert mirrors the Hook-A action (callback)
PROPS: Kindled bottle (hero), dropper
ON_SCREEN_TEXT (post): "SELENIUM" / "ZINC" / "D3 + B12" / "ASHWAGANDHA BLEND" stamps + captions
B_ROLL: dropper macro, dose insert, label-point sequence
TRANSITION (editorial): jump cut out
DIRECTION NOTE: relief building, generous — the friend explaining; 4 mechanism strokes clean and separate ("feeds the enzyme… lets it dock… refill… settles"); "thirty seconds" said as a shrug, not a claim
DURATION: 20s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU → 3-cut negation inserts (organizer into box / alarm OFF / sticky note peeled) → tight MCU, uncut, for the closing triple
BLOCKING: negations are casual disposals, not ceremony; the [pause] before the triple is a TIGHT hold (≤0.8s); triple delivered still, direct to lens
PROPS: organizer, alarm phone, sticky note, box (all continuity)
ON_SCREEN_TEXT (post): "TWO DROPPERS. THIRTY SECONDS." card + captions
B_ROLL: the negation inserts
TRANSITION (editorial): half-beat hold, jump cut out
DIRECTION NOTE: triumphant ease; the closing triple lands like a mic-set-down, not a slogan — full stops, "WHOLE" carries the CAPS emphasis in voice; do not smile through it, let it sit
DURATION: 12s

PRIMARY_LAYER: real-shoot (phone-native UGC)
SHOT: MCU with bottle → 1.5s cupboard-stash insert (2 spare bottles) → MCU → cap-the-bottle set-down, 1s shelf end-frame
BLOCKING: everything offhand — she is already done convincing; downward flick-point on "link's below"; set-down is unhurried
PROPS: Kindled bottle, 2 spare bottles (cupboard), meds bottle on shelf (continuity — "those stay")
ON_SCREEN_TEXT (post): "↓" card + "30-DAY MONEY-BACK GUARANTEE" badge + captions
B_ROLL: cupboard insert; end-frame
TRANSITION (editorial): cut to black off the shelf hold
DIRECTION NOTE: offhand, selfish-scarcity wink on the buy-three line, easy on the guarantee; "Honestly? No brainer." half-smile, final jump cut lands ON it; stock-check register — urgency without volume
DURATION: 13s

• ONE speaker, ONE home, ONE wardrobe (earthy knit) across the whole board; selfie MCU framing is the constant — every hook variant exits on the IDENTICAL clean-MCU seam framing so any variant cuts onto the shared Beat 2 (VH2 ✓).
• Shelf-state logic: the LIVE shelf is always NOW-state (one Kindled bottle + the thyroid-meds bottle, which never leaves — the spoken "those stay" receipt is visible in every shelf appearance). The BEFORE-state exists ONLY as (a) the Beat-2 photo inset and (b) the retired-bottle box (Beats 4/6/8 prop). Hook B's three staged single bottles are struck before any body beat. No frame ever shows the before-world live.
• Prop loop: the shelf opens the ad (hooks reference it; 1B opens on it), carries the proof (Beat 2), and CLOSES the ad (Beat 9 end frame = the one-bottle shelf) — a fully closed loop paying the handoff line's promise. Secondary loops: the dropper dose (Hook A mid-dose → Beat 7 dose insert → Beat 9 cap-and-set-down); organizer/alarms/sticky note (Hook C inventory → Beat 8 negation disposals).
• Caption + OST grammar constant: white auto-caption track every beat; sparing white cards lower-middle third; count/keyword stamps only on receipt beats (2/5/6/7). No grammar switch anywhere (VH2 ✓).
• Cutting grammar constant: presenter jump cuts every 2–3s; practical insert pop-ups every 3–5s; the only uncut stretches are the two designed stillness holds (Beat 3 "[quieter] I almost cried", Beat 8 closing triple) — both donor-parity emotional/mic-drop beats.
• Palette: earthy neutrals + natural light throughout; no color arc (the donor has none — raw UGC holds one world; the emotional arc lives in pace and proximity, not grade).

• First 5s: PASS on all three variants via Fork 4 strategy 1 (speaker face + on-screen text), enriched with the donor's dissonance-prop grammar. A: mid-dose dropper + "please don't switch." card + captions. B: named-bottle tap inventory + "before you reorder →" card + captions. C: organizer/alarm/sticky-note pointed inventory (prop text legible) + captions. Donor's own verdict on this grammar: "passes exceptionally well" sound-off.
• Hook OST specs: A "please don't switch." (3w) · B "before you reorder →" (3w + arrow) · C prop text ("THYROID" / "4 HRS AFTER LEVO"). All ≤12 words (VS2 ✓). Asset persistence: A card holds t=0.3–4.5s with the dose visual continuous; B taps run to t≈4.5s, card takes over; C inserts + prop text run the full window (VS5 ✓).
• U12 scan of all viewer-visible on-screen copy: 0 em/en dashes. Cards/stamps authored dash-free by construction ("please don't switch." · "before you reorder →" · "7 BOTTLES" · "28-SLOT ORGANIZER" · "4 ALARMS" · "IT WAS AN ABSORPTION PROBLEM." · "GUT MOTILITY ↓" · "STOMACH ACID ↓" · "IRON BLOCKS ABSORPTION." · "SELENIUM" · "ZINC" · "D3 + B12" · "ASHWAGANDHA BLEND" · "TWO DROPPERS. THIRTY SECONDS." · "↓" · "30-DAY MONEY-BACK GUARANTEE" · "THYROID" · "4 HRS AFTER LEVO"). Arrows (→, ↓, ↓-glyphs in stamps) are glyphs, not dashes; "30-DAY" / "MONEY-BACK" compound hyphens stay (U12-clean). The full caption track is specified to render in auto-caption grammar — line breaks at phrase boundaries, NO em/en dashes ever rendered (the script prose's dashes are breath marks for the TALENT, never burned).

production_limitations.md is a sparse skeleton (<3 non-template entries) → formal YS6 cross-check silent-skipped per the file's own heuristic. Tool-knowledge flags applied from avatar_tool_prompt_syntax.md + the real-shoot routing:

1. Fork 1 rationale (the anti-AI call): this board is REAL-SHOOT-ONLY by design. The donor's grammar is saturated with actions AI render handles worst — dropper IN mouth (1A, B7), finger taps and label points (1B, B6, B7), prop handling (B2/6/8/9) — and its entire value is anti-produced authenticity. Speaker 2.1 has no trained Soul ID; a Soul Cinema fallback exists only if no talent is available, and would force restaging every hand/mouth beat (degraded — flag to Zied before taking it).
2. Shoot order: BEFORE-shelf photo first, then strike to the box (Beat 2 limitation) — the continuity spine of the whole board.
3. Label/screen legibility gates: Kindled supplement-facts label points (B7 — brace the phone; post fallback = front label + larger stamps), competitor iron panel (B6), alarm screens (1C, B8 — native brightness, no moiré).
4. All on-screen text (cards, stamps, badge, captions) in POST — nothing burned in-camera.
5. No music: the edit has no score to hide seams — jump cuts must land on full stops (the script's fragment grammar gives a cut point every 2–3s by design).
6. Pause/runtime discipline (review SOFT-3): B/C delivered = 120.0s vs 121.9s ceiling — 1.9s headroom. Both scripted [pause] holds boarded ≤0.8s (Beats 2 and 8); NO third pause exists and none may be added; editors must not pad; prefer variant A (2.8s headroom) where runtime pressure matters.
7. Speaker 2.1 casting: real 40–55 talent, confessional register, comfortable doing an on-camera sublingual dose; Solo × At-home is her Validated-in row (TESTED-INCONCLUSIVE) — this run is also her combo test.

Per-beat prompts collated above in REAL-SHOOT syntax (production-team-facing shot list — avatar_tool_prompt_syntax.md real-shoot conventions). Layer stack: real shoot (single peer creator, own phone, all beats + all inserts) · post (caption track, OST cards/stamps, guarantee badge, insets). NO AI generation layer on the default path. Fallback (degraded, flag before use): Soul Cinema presenter + restaged inserts — requires a /higgsfield-soul-id training pass for speaker 2.1 (none on file) and loses the mouth/hand beats. Copy-paste ready as a DP shot list.

• VS1 (B-roll density): insert pop-ups every 3–5s + presenter jump cuts every 2–3s — ABOVE the 1/10s ceiling by design (the donor's own cadence; the script's delivery notes mandate it). CONFIRMED-INTENTIONAL, donor-faithful.
• VS6 (cross-adaptations): 2 logged in-board — Hook 1B ← Anchor B (name-the-singles formula kept, whiteboard-lecture format rejected → real bottles); Hook 1C ← Anchor C (pointing-inventory grammar kept, body-instance content → routine artifacts). 2 logged at ROLE level — Anchors D/E are COPY-LAYER imports whose visual worlds are excluded wholesale (COMPOSITE doctrine: the anchor gestalt owns every frame).
• VS3: every beat cites Anchor A or logs an original-direction rationale (Beat 5's deliberate no-B-roll; Beat 9's shelf end-frame; Beat 4's box cutaway). VS3b per-cue: each insert row in the matrix carries its anchor or rationale inline.
• Review SOFT-1 ("No brainer" attribution): plan-text reclassification only — no storyboard action; the line boards as the donor-register button it is.
• Review SOFT-2 ("link's below"): copy locked; boarded as spoken donor parity + a bare "↓" OST arrow. No link language added anywhere in the OST layer.
• Review SOFT-3 (pause headroom): honored structurally — see cross-ref #6.

Concept ID: R3 · CID: KD_C0076 (pre-allocated) Production Target: REAL SHOOT phone-native UGC (single peer creator + practical inserts; captions/OST in post; no AI layer on default path) Visual Style: donor-derived raw peer-confessional FaceTime UGC (whispore anchor grammar) Comp Library Anchors: 1370395868564992 (DONOR/COMPOSITE-ANCHOR), 1506106117671683, 1580939546918926, 2211842355868524 + 2989934331175887 (copy-layer), 1136339891490192 (copy-layer) Mute-test: PASS (all 3 hook variants) Production-limitation flags: 7 (real-shoot-only actions, before-shelf shoot order, label/screen legibility ×3, post-text, no-music seam discipline, pause headroom, speaker combo test)

**Adapted-convention / compat skips (flagged, not silently dropped):** Beat 1A/1B/1C hook variants · cumulative timecodes on the Hook-A baseline (9.0s; B/C bodies shift +1.0s) · CID KD_C0076 stamped at storyboard time (PRE-ALLOCATED per the E3 pilot convention — no mint-at-ship collision) · donor pinned as anchor cornerstone with NO fresh comp query (run-order directive) · ten-beat discipline preserved (donor beat order 10/10, UMS heaviest) · all-practical insert matrix (donor's lightest-shoot production) · SKIPPED per echo convention: rotation-log append (§2g), concept_pipeline append (7c), library_changes style-family log, Notion/board/publish (§7d) — "echo run — handled at package" · save path redirected to the Echo session tree.

1. First all-practical Echo board. E1/E2/E3/E5 all routed hybrid AI stacks; R3's donor grammar (raw phone UGC, hand/mouth-heavy) made REAL SHOOT the only faithful production target — Fork 1 option 4 exercised for the first time in the chain. The v2 real-shoot syntax handled it cleanly; the "insert production matrix" pattern (E3 finding 2) generalizes to practical inserts with a shoot-order column need (the before-shelf strike is a SEQUENCING constraint the per-beat schema has no field for — carried in limitation notes; consider a shoot-order line in the matrix as standard).
2. COMPOSITE boards need a role-level VS6. The mini-brief's imports (groundingwell ×2, ankhway) are binding COPY citations but illegal VISUAL borrows under "storyboard the ANCHOR gestalt." This board handled it by admitting them as demoted copy-layer anchors (D/E) with an explicit no-visual-borrow declaration — recommend pinning that as the standard COMPOSITE convention (imports listed, demoted, excluded), so a future board never smuggles a donor-foreign visual world in through an import citation.
3. Donor-pinned anchor set without re-query. Per the run order, no §2b/§2c query ran; supporting anchors = the concept's own cited formula exemplars (declared choices). Same working resolution as pilot finding 4 (winners-intersection empty for niche video) arrived at from the opposite direction — Echo's storyboard step should formalize: COMPOSITE/SEED boards inherit their anchor set from the mini-brief's citations + the pinned donor, and only run a fresh §2b query when the citation set leaves a beat type uncovered.