01Comp Library Inspiration Anchors
Top 5 matches by FORMAT relevance (video-first for this video target) → semantic match → winner_score. Four of five are video (direct visual-pattern transfer); nivara is the lone static-image anchor, kept ONLY for its lab-betrayal hook STRUCTURE / mechanism language (no shot-list transfer). Each anchor declares its best-fit beat in OUR script.
Anchor A — kilgourmd 1641607783556403 (winner_score 66.59, VIDEO) view ad
- Technique: Single-authority figure delivers a calm, declarative mechanism LECTURE with a physical drawn aid ("storage vs active," "this strand / not this one"). One credible speaker, locked frame, the visual aid carries the science. Mute test rides bold burned-in transcript text + the authority face.
- On-screen text style: Long burned-in declarative captions tracking the VO; the mechanism contrast ("Not your shampoo. This biology.") lands as a stark two-line OST.
- B-roll cuing: Mechanism-diagram-on-surface (whiteboard) as the SINGLE hero visual asset; before/after proof cutaways only at the very end.
- Transition style: Slow, deliberate; locks the viewer into the educational loop after the hook.
- Mute-test asset: Authority face + bold caption + the drawn mechanism contrast.
- Best-fit beat in our script: WHAT I LEARNED + KINDLED REVEAL (1:18–1:52) — the "storage T4 is not the active T3" slide-behind is the direct descendant of Kilgour's whiteboard contrast. Secondary: the lecture-frame discipline across ALL beats (single static stage frame, declarative).
- Tooling stack inferred: Real shoot OR Soul Cinema single-speaker (cinematic talking-head + one graphic aid). Matches our chosen target cleanly.
Anchor B — shopeverly 1468180031370345 (winner_score 66.84, VIDEO) view ad
- Technique: Second-person self-diagnostic hook ("You need a DHT blocker IF you cannot run your fingers through your hair without pulling clumps out") + the speaker physically performs the test on camera. Regrowth shown as living first-person proof ("you can see I'm having really good regrowth"; baby hairs reaching visible length).
- On-screen text style: ONE bold static line held the full first ~10s ("You need a DHT blocker!!") — high mute-test discipline.
- B-roll cuing: None external; the body IS the B-roll (fingers through hair, hairline, regrowth).
- Transition style: Native quick cuts (UGC). We will SLOW this for the stage register but keep the self-test + regrowth-as-proof logic.
- Mute-test asset: Bold held OST + the physical hair-test action.
- Best-fit beat in our script: THE DRAIN hook (0:00–0:20) — second-person "if you're still finding handfuls…" is the on-stage cousin of Shopeverly's self-test. Secondary: IT CAME BACK / regrowth (1:52–2:20) — "baby hairs reaching visible length" → "new growth along my part."
- Tooling stack inferred: Real shoot OR Soul Cinema. Hook delivered to-camera; matches target.
Anchor C — nivara 1629487618498207 (winner_score 59.0, STATIC IMAGE — structure-only borrow) view ad
- Technique: "Normal labs but you're STARVING" lab-betrayal. A dismissed-then-vindicated woman exposes that a number flagged "normal" (ferritin 14) hides a follicle starving below the real threshold (needs 70). Doctor "literally waving her hand dismissively." First-person, non-credentialed peer authority.
- On-screen text style: N/A (static ad — borrow the COPY structure, not a shot list).
- B-roll cuing: N/A.
- Transition style: N/A.
- Mute-test asset: N/A (static).
- Best-fit beat in our script: "NORMAL" BETRAYAL (0:42–1:18) — "normal is a beautiful word… a cruel word when you're going bald in the mirror" is the spoken-stage form of Nivara's lab-betrayal. Informs the betrayal CONTENT + the implied-audience framing, NOT a visual pattern.
- Tooling stack inferred: Static image (not a video tool) — demoted per §2c; cited for hook/betrayal structure only, no shot-list transfer. Cross-adaptation rationale logged at the beat.
Anchor D — resilia 781745300989062 (winner_score 57.46, VIDEO) view ad
- Technique: Warm credible woman, talking-head ONLY, raw native, ZERO B-roll / ZERO music / ZERO graphic overlays, product held in frame. Closes on true-state scarcity ("it sells out fast, so stock up while you can") delivered as a personal recommendation, NOT a hype pitch. Calibrated-trust intensity.
- On-screen text style: None burned-in (relies on product packaging + face). We ADD sparse OST for mute-test, but inherit the restraint.
- B-roll cuing: None — the discipline IS the technique (single continuous talking-head reads as organic, longer half-life).
- Transition style: No cuts; steady unhurried cadence builds credibility.
- Mute-test asset: Credible face + product in hand.
- Best-fit beat in our script: THE CLOSE (2:33–3:00) — non-seller + true-state scarcity + stock-check is Resilia's exact close register (warm authority, "sells out," personal trust), minus the seller stake. Secondary: the talking-head restraint across the body (sparse B-roll discipline).
- Tooling stack inferred: Real shoot OR Soul Cinema single-speaker. Matches target.
Anchor E — thebbco 991882569843503 (winner_score 48.99, VIDEO) view ad
- Technique: Peer word-of-mouth as the trust engine ("my neighbor Linda whispered… how many women in my book club swear by this") + demand-as-proof scarcity ("the downside is it's so popular it can sell out") + risk-free close ("try it, and if it doesn't work you get it for free") — narrator NEVER says "link"/"tap." Relational/quiet proof.
- On-screen text style: Bold centered captions tracking VO; scarcity hook OST ("SOLD OUT in 4 hours").
- B-roll cuing: Home-native lifestyle + a social-proof grid of women holding the product. (We will NOT use the grid — implied-audience stage, not UGC montage.)
- Transition style: Rapid native cuts (we slow for stage).
- Mute-test asset: Bold scarcity OST + expressive face.
- Best-fit beat in our script: THE CLOSE (2:33–3:00) — "they don't order one bottle, they order three, they order six" is thebbco's peer-demand-scarcity in declarative-stage form. Secondary: HUSBAND quiet-witness (2:20–2:33) — relational peer proof (Linda-whisper energy → husband moved back).
- Tooling stack inferred: Real shoot / hybrid. We take the scarcity + relational LANGUAGE, not the UGC montage tooling.
02Per-beat storyboard
▸1THE DRAIN — second-person hook + "that was me", open Loop 1 0:00–0:20
Mute-test stop-scroll asset
| Shot | Medium-wide stage frame establishing she is on a stage (charcoal backdrop, presenter spot, soft-focus implied audience edge of frame), pushing to a medium on her face by ~t=4s. |
| Camera | Eye-level, locked tripod, centered, slow ~5% push-in over the 20s; eyeline direct to camera (addressing the room AND the lens). Stage gravity — deliberate, not rushed. |
| On-screen text | "TWO YEARS AGO, THAT WAS ME" — lower-third, bold sans, animate in at t=3.0s on the spoken "Two years ago," hold to t=6.5s. (Verbatim from locked body OST.) No em/en dashes. PASS U12. |
| B-roll | None. Talking-head discipline per Anchor D (resilia — zero B-roll, the credible face carries it). The drain/handfuls imagery is spoken, NOT shown — implied, keeping the stage frame intact. |
| Transition | Soft cut (match-frame, same stage) to the medium for the next beat. |
▸ Prompt
PRIMARY — REAL SHOOT
SHOT: Medium-wide establishing → medium close-up on face by t=4s. Real keynote/summit stage.
CAMERA: Eye-level, locked tripod, centered, slow 5% push over 20s, direct-to-camera eyeline.
BLOCKING: Woman 48-58 standing at/near a lectern OR open stage, composed-but-warm. Opening beat delivered slightly slower/quieter (the confession is the way IN), shoulders settled.
LIGHTING: Warm presenter key 3400-3600K from upper-left, soft fill, charcoal/neutral backdrop, implied audience in soft-focus shadow at frame edge.
WARDROBE: Solid neutral, stage-appropriate (sage / denim-blue / cream); not corporate.
PROPS / SET DRESSING: Screen behind is DARK/neutral this beat (mechanism slide not yet revealed).
ON_SCREEN_TEXT (post): "TWO YEARS AGO, THAT WAS ME" — lower-third — in t=3.0s, hold to t=6.5s.
B_ROLL: none.
TRANSITION (editorial): soft cut (same stage).
DIRECTION NOTE: Hook is confessional way-IN, NOT a sustained whisper. Quiet-raw on "that was me," then she is already lifting toward declarative. Hold the room with stillness, not volume.
DURATION: 20s
FALLBACK — HIGGSFIELD SOUL CINEMA
MODEL: soul_cinema_studio
SOUL_ID: {kindled_2_2_advocate_soul_v2 — train via /higgsfield-soul-id, woman 48-58, real skin texture/lines, 5-10y above buyer}
PROMPT: "Woman late 50s, warm-direct composed expression, standing on a real keynote/summit stage, charcoal neutral backdrop, warm presenter spotlight from upper-left at 3500K, soft-focus implied audience in shadow at frame edge, cinematic shallow depth-of-field, medium close-up eye-level, locked camera with a very slow push-in, addressing the room directly"
NEGATIVE_PROMPT: "text, multiple faces, distorted hands, applause, visible cheering crowd, clinical lab coat, corporate boardroom"
ASPECT_RATIO: 9:16
ON_SCREEN_TEXT: handled in post — "TWO YEARS AGO, THAT WAS ME" lower-third t=3.0-6.5s
DURATION (image-to-video): 20s
B_ROLL: none▸ Reviewer notes
| Mute-test | PASS — credible 48-58 woman alone on a real stage (instant "this person is trusted by a room" credibility, per on-stage.md §2 public-stakes) + the bold "TWO YEARS AGO, THAT WAS ME" OST. Sound-off, the frame says: a woman is about to tell a room something that was once true of HER. Per Anchor B's held-OST mute discipline + Anchor D's face-carries-it restraint. |
| Production-limitation note | Soul Cinema fallback — implied-audience is rendered as soft-focus shadow only; do NOT prompt visible audience faces (multi-face render instability + the on-stage.md §8 rule that we never depend on real audience-reaction B-roll). Real-shoot is PRIMARY because 2_2 is DRAFTED-UNTESTED (first validation favors a real woman on a stage per Field 25). |
▸2WHO I STOPPED BEING — identity erosion 0:20–0:42
Identity-loss agitation
| Shot | Medium close-up (chest-up), single stage frame. |
| Camera | Eye-level, locked, centered, static (no push — let the admission sit). Eyeline drifts briefly off-camera on "something I don't usually say out loud" (the look-away of a real disclosure), returns to lens on "I stopped feeling like a woman." |
| On-screen text | None. |
| B-roll | None. Sustained talking-head per Anchor D restraint — the face doing the admission IS the asset. |
| Transition | Hard cut to the "NORMAL" beat (a deliberate tonal pivot from inward-loss to outward-betrayal). |
▸ Prompt
PRIMARY — REAL SHOOT
SHOT: Medium close-up, chest-up, single stage frame.
CAMERA: Eye-level, locked, centered, static. Eyeline: brief off-camera drift on "I don't usually say out loud," return to lens on "I stopped feeling like a woman."
BLOCKING: Minimal gesture; a small touch toward her own hair on "stopped wearing my hair down" is permitted (organic, not staged).
LIGHTING: Setting default (warm 3500K key, soft fill, charcoal backdrop).
ON_SCREEN_TEXT (post): none.
B_ROLL: none.
TRANSITION (editorial): hard cut to next beat.
DIRECTION NOTE: This is the one true vulnerability beat. Quiet honesty, NOT performance. She is still mid-pivot from confession toward the declarative voice she holds for the rest.
DURATION: 22s
FALLBACK — HIGGSFIELD SOUL CINEMA
MODEL: soul_cinema_studio
SOUL_ID: {kindled_2_2_advocate_soul_v2}
PROMPT: "Same woman late 50s, same keynote stage and warm 3500K presenter light, medium close-up chest-up, locked eye-level camera, quiet vulnerable but composed expression, a subtle glance away then back to camera, charcoal neutral backdrop, soft-focus implied audience in shadow"
NEGATIVE_PROMPT: "text, multiple faces, distorted hands, exaggerated crying, applause, crowd faces"
ASPECT_RATIO: 9:16
ON_SCREEN_TEXT: none
DURATION (image-to-video): 22s
B_ROLL: none▸ Reviewer notes
| Mute-test | N/A (non-hook beat). |
| Production-limitation note | Soul Cinema — the brief eyeline drift off-axis is less reliable than direct-to-camera; if the fallback render breaks the off-axis glance, keep her on-lens and carry the disclosure on micro-expression. Real-shoot PRIMARY handles this natively. |
▸3"NORMAL" — betrayal + implied-audience + permanence + survival-escalation 0:42–1:18
Lab-betrayal reframe
| Shot | Medium, single stage frame; ONE deliberate beat of attention-silence on the "How many of you" line. |
| Camera | Eye-level, locked. Slight, slow push-in begins on "And then a doctor finally told me something that scared me enough to move" (push = rising stakes). On "How many of you have been handed that exact same word?" — hold a ~1.5s silent beat AFTER the line, eyeline sweeping the implied room then back to lens. |
| On-screen text | "NORMAL." — center, bold, single word, animate in at the spoken "Normal is a beautiful word…" (~t within beat), hold ~2s, fade. |
| B-roll | None shown. The "going bald in the mirror" / "pulling hair out of the drain" imagery stays SPOKEN, not depicted — stage frame intact, no gross-out B-roll. |
| Transition | Motion-matched soft cut into the mechanism beat (she "turns toward" the screen behind as it wakes up). |
▸ Prompt
PRIMARY — REAL SHOOT
SHOT: Medium, single stage frame. One held attention-silence beat after "How many of you…".
CAMERA: Eye-level, locked; slow push-in starts on "scared me enough to move." Eyeline sweeps the implied room on the "How many of you" line, returns to lens.
BLOCKING: Open declarative posture, fuller breath, bigger sentences (stage register). The "How many of you" line addresses the ROOM — gesture out to the implied audience, hold the hush.
LIGHTING: Setting default; optional 0.5-stop key lift entering the survival-escalation lines (heart/brain) for gravity.
PROPS / SET DRESSING: Screen behind still neutral/dark; it WAKES at the cut into the next beat.
ON_SCREEN_TEXT (post): "NORMAL." — center — in on "Normal is a beautiful word," hold ~2s, fade.
B_ROLL: none (no drain / mirror / scalp footage — spoken only).
TRANSITION (editorial): motion-matched soft cut as she turns toward the screen.
DIRECTION NOTE: Full declarative authority now — the confession is behind her. "Normal is a beautiful word… a cruel word when you're going bald in the mirror" is the signature turn; land it, then the room-hush on "How many of you."
DURATION: 36s
FALLBACK — HIGGSFIELD SOUL CINEMA
MODEL: soul_cinema_studio
SOUL_ID: {kindled_2_2_advocate_soul_v2}
PROMPT: "Same woman late 50s on the keynote stage, declarative commanding expression, medium framing, locked eye-level camera with a slow push-in, one open-handed gesture toward an implied audience in soft-focus shadow, warm 3500K presenter light, charcoal backdrop, cinematic"
NEGATIVE_PROMPT: "text, multiple faces, distorted hands, visible crowd faces, applause, lab coat"
ASPECT_RATIO: 9:16
ON_SCREEN_TEXT: handled in post — "NORMAL." center, brief
DURATION (image-to-video): 36s
B_ROLL: none▸ Reviewer notes
| Mute-test | N/A (non-hook beat). The optional "NORMAL." OST is a sound-off reinforcement, not a mute-test dependency. |
| Production-limitation note | The "How many of you" implied-audience gesture must NOT cut to real audience faces (on-stage.md §8 — we never depend on reaction B-roll; Soul Cinema multi-face renders are unstable). Carry the room via her gesture + the held silence only. |
▸4WHAT I LEARNED + KINDLED REVEAL — mechanism, closes Loop 1, reveal ~55% 1:18–1:52
Close Loop 1
| Shot | Medium two-element frame — speaker at frame-left, the ONE mechanism slide on the screen behind at frame-right; ONE clean product cutaway on the Kindled name. |
| Camera | Eye-level, locked; slow push on the reveal line ("in a liquid called Kindled"). The slide behind is the hero visual aid. Single insert cutaway to the Kindled bottle on the name, then back to the two-element frame. |
| On-screen text | "STORAGE T4 IS NOT THE ACTIVE T3" — lower-third, bold, animate in on the spoken "Not the active one… which is T3," hold ~3s. The slide BEHIND her shows the same contrast as a simple graphic (storage-T4 vs active-T3) — this is a set element, not a lower-third. |
| B-roll | (1) Mechanism slide on the stage screen: a simple two-side contrast — a "storage" tank labeled T4 vs an "active" key labeled T3 the follicle runs on; minimal, charcoal/warm palette, ONE idea. (2) Product cutaway: the Kindled liquid bottle + dropper, clean tabletop or in-hand, on the spoken "a liquid called Kindled." |
| Transition | Soft cut back from the product cutaway to the two-element frame, then dissolve into the regrowth beat (warmth lift). |
▸ Prompt
PRIMARY — REAL SHOOT
SHOT: Medium two-element — speaker frame-left, mechanism slide on screen behind frame-right. ONE product-cutaway insert on the Kindled name.
CAMERA: Eye-level, locked; slow push on "in a liquid called Kindled." Insert: clean cutaway to bottle + dropper, then back.
BLOCKING: She gestures toward the slide behind on "the standard test checks the storage form, T4." Turns back to lens for the reveal.
LIGHTING: Setting default + ensure the screen-behind slide is exposed legibly (balance presenter key against screen brightness).
PROPS / SET DRESSING: Screen behind NOW shows the storage-T4-vs-active-T3 slide (single simple contrast graphic). Kindled bottle staged for the cutaway.
ON_SCREEN_TEXT (post): "STORAGE T4 IS NOT THE ACTIVE T3" — lower-third — in on "which is T3," hold ~3s.
B_ROLL: (1) mechanism slide [set element, on the stage screen]; (2) product cutaway — Kindled liquid bottle + dropper — on "a liquid called Kindled."
TRANSITION (editorial): soft cut to two-element, then dissolve into regrowth beat.
DIRECTION NOTE: This is the educated-discovery beat — "I went and learned the science myself." Declarative-teacher, not salesy. Kindled is named as the ANSWER to the open loop, not pitched.
DURATION: 34s
FALLBACK — HIGGSFIELD SOUL CINEMA + MARKETING STUDIO (product cutaway)
MODEL: soul_cinema_studio (speaker) + marketing_studio (product cutaway)
SOUL_ID: {kindled_2_2_advocate_soul_v2}
PROMPT (speaker): "Same woman late 50s on the keynote stage gesturing toward a simple slide on the screen behind her, medium two-element framing speaker at left and a clean mechanism graphic at right, warm 3500K presenter light, charcoal backdrop, locked eye-level camera with a slow push on the reveal"
NEGATIVE_PROMPT: "text artifacts on the slide, multiple faces, distorted hands, cluttered busy diagram, crowd faces"
ASPECT_RATIO: 9:16
PRODUCT CUTAWAY (marketing_studio): PRESET = closeup product; PRODUCT_REF = {Kindled liquid bottle + dropper from brand asset library}; SCENE_PROMPT = "Kindled thyroid liquid bottle with dropper, clean warm tabletop, soft natural light, shallow depth of field" — 2s insert.
ON_SCREEN_TEXT: handled in post — "STORAGE T4 IS NOT THE ACTIVE T3" lower-third
SLIDE GRAPHIC: build in post/design (Soul does not render legible text reliably) — simple storage-T4-tank vs active-T3-key contrast.
DURATION (image-to-video): 34s▸ Reviewer notes
| Mute-test | N/A (non-hook beat). The mechanism slide + lower-third make this beat unusually strong sound-off as a bonus, but it is not the mute-test gate. |
| Production-limitation note | Soul Cinema does NOT render legible on-slide text — the storage-T4-vs-active-T3 slide MUST be designed/composited in post, never prompted into the Soul render (VH3 workaround). Product cutaway routes to Marketing Studio (native product handling) on the fallback path. Real-shoot PRIMARY shoots the slide as a true screen element. |
▸5IT CAME BACK — regrowth + reverse-exorcism summit 1:52–2:20
First-person regrowth proof
| Shot | Medium close-up, single stage frame; the emotional peak of the piece. |
| Camera | Eye-level, locked, with the slowest push of the whole script across the reverse-exorcism line (intimacy inside the stage frame). Eyeline to lens. |
| On-screen text | None. |
| B-roll | None depicted. The regrowth / baby hairs are SPOKEN as her testimony, not shown as before/after photos — rung-3 first-person carrier is stronger un-illustrated, and it keeps the non-seller stage frame (vs a proof-photo montage that would read as an ad). |
| Transition | Soft cut to the husband beat (quiet, intimate-within-stage). |
▸ Prompt
PRIMARY — REAL SHOOT
SHOT: Medium close-up, single stage frame. Emotional peak.
CAMERA: Eye-level, locked, slowest push across "It was like a reverse exorcism. I got my own spirit handed back to me." Eyeline to lens.
BLOCKING: Stillness. A small breath/settle on "right where I thought nothing was coming back." Warmth, not triumph-performance.
LIGHTING: Optional gentle warmth lift (+200-300K toward warm, slight key bloom) to mark the summit — the one warranted lighting shift, tied to the emotional arc (VH2-safe: justified).
ON_SCREEN_TEXT (post): none.
B_ROLL: none (no before/after photos — spoken testimony only).
TRANSITION (editorial): soft cut to husband beat.
DIRECTION NOTE: This is the payoff. Let "I got my own spirit handed back to me" breathe. Declarative-warm, earned, not saccharine.
DURATION: 28s
FALLBACK — HIGGSFIELD SOUL CINEMA
MODEL: soul_cinema_studio
SOUL_ID: {kindled_2_2_advocate_soul_v2}
PROMPT: "Same woman late 50s on the keynote stage, warm relieved earned expression, medium close-up, locked eye-level camera with the slowest gentle push-in, slightly warmer presenter light marking an emotional peak, charcoal backdrop, soft-focus implied audience, cinematic shallow depth-of-field"
NEGATIVE_PROMPT: "text, multiple faces, distorted hands, over-the-top crying, applause, crowd faces"
ASPECT_RATIO: 9:16
ON_SCREEN_TEXT: none
DURATION (image-to-video): 28s
B_ROLL: none▸ Reviewer notes
| Mute-test | N/A (non-hook beat). |
| Production-limitation note | None material. The warmth lift is achievable in both real-shoot grade and Soul Cinema prompt (lighting cue, not a hard render). |
▸6HUSBAND — quiet witness 2:20–2:33
Relational proof without a word of sell
| Shot | Medium close-up, single stage frame; NO depiction of the husband (spoken only — the stage holds her alone). |
| Camera | Eye-level, locked, static (the push rests here after the summit). Eyeline to lens, softer. |
| On-screen text | None. |
| B-roll | None. He is NEVER shown — the restraint IS the device (a guest-room cutaway or a husband actor would cheapen the wordless witness). |
| Transition | Soft cut to the close (she re-opens to the room, direct address returns). |
▸ Prompt
PRIMARY — REAL SHOOT
SHOT: Medium close-up, single stage frame. Husband NOT depicted.
CAMERA: Eye-level, locked, static. Eyeline to lens, softer register.
BLOCKING: Minimal. A small pause before "But now he moved back."
LIGHTING: Carry the regrowth-beat warmth; no new shift.
ON_SCREEN_TEXT (post): none.
B_ROLL: none (husband never shown).
TRANSITION (editorial): soft cut to close.
DIRECTION NOTE: Quietest beat. "He never said one word about my hair. He didn't have to." — let the second sentence sit in silence.
DURATION: 13s
FALLBACK — HIGGSFIELD SOUL CINEMA
MODEL: soul_cinema_studio
SOUL_ID: {kindled_2_2_advocate_soul_v2}
PROMPT: "Same woman late 50s on the keynote stage, quiet tender composed expression, medium close-up, locked eye-level static camera, warm presenter light, charcoal backdrop, soft-focus implied audience"
NEGATIVE_PROMPT: "text, second person in frame, husband, multiple faces, distorted hands, applause, crowd faces"
ASPECT_RATIO: 9:16
ON_SCREEN_TEXT: none
DURATION (image-to-video): 13s
B_ROLL: none▸ Reviewer notes
| Mute-test | N/A (non-hook beat). |
| Production-limitation note | Soul Cinema negative-prompt MUST exclude a second person — the husband is referenced verbally only; a stray second-face render breaks the solo stage frame. |
▸7THE CLOSE — non-seller + true-state scarcity + stock-check 2:33–3:00
Direct CTA to the room
| Shot | Medium, single stage frame; final eyeline lock direct to camera/room. |
| Camera | Eye-level, locked, with a slow final push-in across the close (the script's third designated push). Eyeline fully direct — addressing the room as a peer giving a last word. |
| On-screen text | "GO SEE IF IT'S BACK IN STOCK" — lower-third, bold, animate in on the spoken "if it's back in stock right now," hold to end. |
| B-roll | Optional single product callback cutaway (Kindled bottle + "two drops under the tongue" dropper gesture) on the final "Two drops under the tongue every morning" — clean, brief. Otherwise talking-head. |
| Transition | Hold final frame to end card (or platform end); slow fade on the last line. |
▸ Prompt
PRIMARY — REAL SHOOT
SHOT: Medium, single stage frame; optional brief product callback cutaway on "two drops under the tongue."
CAMERA: Eye-level, locked, slow final push across the close. Eyeline fully direct to camera/room.
BLOCKING: Open, peer-to-room. The non-seller line ("I don't work for Kindled") delivered plainly, looking the room in the eye. The order-three-order-six line builds, declarative.
LIGHTING: Setting default, carry warmth.
PROPS / SET DRESSING: Kindled bottle available for the optional callback cutaway only.
ON_SCREEN_TEXT (post): "GO SEE IF IT'S BACK IN STOCK" — lower-third — in on "if it's back in stock right now," hold to end.
B_ROLL: optional product callback cutaway (bottle + dropper) on "two drops under the tongue"; else none.
TRANSITION (editorial): slow fade on the final line.
DIRECTION NOTE: Pure-sell close, NO caveats/disqualifiers (H13). Non-seller is the trust asset — she recommends as a recovered peer, never as the brand. Scarcity is true-state demand, not hype. Stock-check CTA only — NEVER "link"/"tap."
DURATION: 27s
FALLBACK — HIGGSFIELD SOUL CINEMA + MARKETING STUDIO (optional product callback)
MODEL: soul_cinema_studio (speaker) + marketing_studio (optional product callback)
SOUL_ID: {kindled_2_2_advocate_soul_v2}
PROMPT (speaker): "Same woman late 50s on the keynote stage, warm direct confident expression delivering a final recommendation to the room, medium framing, locked eye-level camera with a slow final push-in, direct-to-camera eyeline, warm 3500K presenter light, charcoal backdrop, soft-focus implied audience"
NEGATIVE_PROMPT: "text, multiple faces, distorted hands, applause, crowd faces, hard-sell signage"
ASPECT_RATIO: 9:16
PRODUCT CALLBACK (marketing_studio, optional): PRESET = closeup product; PRODUCT_REF = {Kindled bottle + dropper}; SCENE_PROMPT = "Kindled thyroid liquid dropper, two drops, clean warm tabletop, soft natural light" — 2s insert.
ON_SCREEN_TEXT: handled in post — "GO SEE IF IT'S BACK IN STOCK" lower-third, hold to end
DURATION (image-to-video): 27s▸ Reviewer notes
| Mute-test | N/A (non-hook beat). The "GO SEE IF IT'S BACK IN STOCK" OST gives the close a strong sound-off CTA as a bonus. |
| Production-limitation note | Optional product callback routes to Marketing Studio on the fallback path. Ensure the OST reads stock-check language only — any "link"/"tap" wording is a compliance + brand-voice violation (Field 22; the no-link CTA rule). |
03Pre-output checks
- (a) All 11 fields populated per beat — ✓ (persuasion goal / shot type / camera / OST / B-roll + anchor citation / transition / avatar-tool prompt [real-shoot PRIMARY + Soul Cinema FALLBACK] / mute-test / production-limitation note, per beat).
- (b) Hook mute-test (VH1) — ✓ PASS. The 0:00–0:20 hook passes sound-off: a credible 48-58 woman alone on a real stage (public-stakes credibility) + the bold burned-in OST "TWO YEARS AGO, THAT WAS ME." Confirmed PASS.
- (c) Stage-declarative continuity (VH2) — ✓. Single charcoal/neutral stage, warm presenter spot, locked frame throughout; the ONLY lighting shift is the warranted summit warmth-lift at 1:52–2:20 (tied to the emotional arc, documented). The screen-behind goes neutral → mechanism-slide → neutral as a deliberate set beat, not a continuity break. Register holds: confessional way-IN (0:00–0:42) pivots UP into stage-declarative and stays there (per 2_2 voice rule — never collapse the hook into a sustained 2.1 confessional).
- (d) Avatar-tool syntax matches target (VH4) — ✓. Real-shoot blocking/camera syntax for PRIMARY; Soul Cinema (MODEL/SOUL_ID/PROMPT/NEGATIVE_PROMPT/ASPECT_RATIO) for FALLBACK; Marketing Studio syntax used only for product cutaways (1:18 reveal + 2:33 callback). No cross-tool syntax leakage.
- (e) Comp anchor cited per beat OR original-direction rationale (VS3 / VS3b per-cue) — ✓. Every beat cites at least one of the 5 anchors; every B-roll cue carries its own anchor or original-direction rationale (mechanism slide ← Anchor A; product cutaways ← original-direction calibrated to H15). VS6 cross-adaptation rationale logged where the nivara static-image anchor (best-fit = copy structure) informs a spoken beat.
- (f) No "currently impossible" production-limitation (VH3) — ✓. The only flagged limitations (Soul Cinema illegible on-slide text → composite slide in post; multi-face/audience render instability → soft-focus shadow only, no audience faces; second-person render at the husband beat → negative-prompt excluded) all have documented workarounds. Nothing is impossible for the chosen tooling. Real-shoot PRIMARY sidesteps all three.
- (g) No salesy/clinical leak — ✓. NON-seller register held: she is an independent recovered-researcher peer, never company-"we," never a credentialed clinician. No hard-sell signage, no clinical lab-coat framing, no gross-out scalp/drain B-roll. Close is pure-sell-as-confidence (H13), scarcity is true-state demand, CTA is stock-check only (no "link"/"tap").
- (h) Implied-audience handled (on-stage.md §8) — ✓. The room is carried by direct address + the held silence on "How many of you" + soft-focus shadow at frame edge. ZERO dependency on real audience-reaction B-roll (no applause/cheering/nodding cuts). Soul Cinema negative-prompts exclude visible crowd faces at every beat.
- (i) No-dash scan (U12 HARD) — ✓. Three viewer-visible OST lines only: "TWO YEARS AGO, THAT WAS ME" · "STORAGE T4 IS NOT THE ACTIVE T3" · "GO SEE IF IT'S BACK IN STOCK" (plus the brief optional "NORMAL."). Scanned for em-dash (—) and en-dash (–): ZERO present. Regular hyphens: none in the OST. PASS.
- Product REVEAL floor (H15) — ✓. Kindled is named AND shown for the first time at the 1:18–1:52 reveal beat (~55%); the close is a callback only ("Two drops under the tongue… that's really all it was"). Reveal-position declaration coherent with the locked script's H15.
04Pipeline update block
05Storyboard produced: 2026-06-25 — My Hair Came Back — On Stage (KD_C0011 v2, client-locked) via /storyboard-yapper
Concept ID: KD_C0011 (v2) Production Target: Real-shoot PRIMARY (2_2 Recovered-Researcher Advocate, 48-58 woman on a real stage) + Higgsfield Soul Cinema AI-stage FALLBACK per beat Visual Style: Lecture-keynote — wide/medium static stage frame, warm presenter spot, charcoal backdrop, soft-focus implied audience, one storage-T4-vs-active-T3 slide, sparse bold OST, product cutaway at reveal Comp Library Anchors: 1641607783556403 (kilgourmd 66.59, mechanism-lecture spine) · 1468180031370345 (shopeverly 66.84, self-test hook + regrowth proof) · 1629487618498207 (nivara 59.0, lab-betrayal structure) · 781745300989062 (resilia 57.46, non-seller stock-check close) · 991882569843503 (thebbco 48.99, peer word-of-mouth + demand-scarcity) Mute-test: PASS (face on a real stage + "TWO YEARS AGO, THAT WAS ME" OST) Production-limitation flags: 3 (Soul Cinema illegible slide text → composite in post; audience-face render instability → soft-focus shadow only; husband second-person render → negative-prompt excluded) — all with workarounds; real-shoot PRIMARY sidesteps all Beats: 7 | Reveal: ~55% (H15 clean) | Implied-audience: handled, zero reaction-B-roll dependency Status: Storyboard done → /package (editor brief §10 ← these ranked anchors) → /ship